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Less is more: The SE 68 and the Art of Omission
In 1951, Egon Eiermann didn't design a trend. He solved a problem: How does a person sit comfortably for hours without the chair dominating the room? The answer was the...
Less is more: The SE 68 and the Art of Omission
In 1951, Egon Eiermann didn't design a trend. He solved a problem: How does a person sit comfortably for hours without the chair dominating the room? The answer was the...
Every piece has a history
True rarity cannot be staged. An SE 68 that stood in a lecture hall, a canteen, an office for decades – it carries that within itself. In the grain. In...
Every piece has a history
True rarity cannot be staged. An SE 68 that stood in a lecture hall, a canteen, an office for decades – it carries that within itself. In the grain. In...
A chair. No compromise.
Most furniture retailers need a collection. We don't. We decided on a single chair — and that wasn't a limitation, but a statement. The SE 68 was designed by Egon...
A chair. No compromise.
Most furniture retailers need a collection. We don't. We decided on a single chair — and that wasn't a limitation, but a statement. The SE 68 was designed by Egon...